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Kudakwashe Rutendo is a born storyteller who taken on different several roles in her own life: an actor in film, theatre and television; aspiring novelist; and a passionate student of English, philosophy and classics.

The recent 91�Թ� graduate was named and starred in the Canadian feature film . She also has several other stage and screen credits.

As a writer, she’s already completed her first novel, is drafting a second and was recently a panelist on CBC’s Canada Reads.

Writer spoke Cynthia MacDonald recently caught up with Rutendo, who was a member of Victoria College, to talk about her experiences – and her plans for life after 91�Թ�.

You were raised in Fort McMurray, Alta. and came to acting and writing through poetry. How did that happen?

Growing up, my mom put me in Girl Guides, swimming, soccer and dance. But then I heard about poetry competitions and said to myself: “I want to do this!” It felt very powerful. I started out reciting Shel Silverstein, but moved on to Shakespeare and Elizabeth Barrett Browning, as well as writing speeches. By the time I got to high school, I was working on my associate diploma in speech and drama at the Royal Conservatory. When you’re bringing words to life – well, that’s acting, right? And I said to myself, “I don’t know who I’d be without this. I guess it’s something I have to continue to do.”

What was it like to be named a Rising Star at TIFF?

That outside acknowledgment was very special. The program connected me with industry professionals and some of the top casting directors, and I also got to participate in workshops. It’s nice to be able to have those connections, because the acting industry is a community – one that you really need.

Can you tell us about your first novel, which is tentatively titled Dancing Against the Night and is now being considered for publication?

One of the main things I wanted to do was combine prose and poetry. The book is set in Toronto and follows a ballerina who struggles with depression. It’s inextricably tied to 91�Թ� because I conceived of it here and workshopped a lot of the early parts in various creative writing classes. I worked with some amazing professors – for example,Robert McGill, Ian Williams and Kathryn Kuitenbrouwer. It touched on a really formative part of my life, and on an important subject. I wanted to write about mental health and the struggle we all have to feel seen.

On Canada Reads, you championed Tea Mutonji’s Shut Up You’re Pretty. Who are some of the writers who inspire you?

I really like James Baldwin — I finished Giovanni’s Room a few months ago and it haunted me. I honestly don’t think he wrote enough. I’ve connected with Toni Morrison as well. I recently read Elizabeth Smart’s By Grand Central Station I Sat Down and Wept and thought it was phenomenal. When I first read it, I didn’t connect with it – but I think I was approaching it the wrong way. I was reading it like a narrative when it’s really a prose poem. As a reader, when you go into a book with expectations, you’re setting yourself up for failure.

You graduated with a major in English and a double minor in philosophy and classical civilizations. Why did you choose that program?

I chose my degree based on the subjects I’m passionate about – and I do think that’s how I like to live my life. I love to read and I always knew I would study English. In every lecture I was invested. I wanted to push myself. I was fascinated by what I was doing. When it came to philosophy, I loved the structure – dissecting arguments and studying reason. I also think studying philosophy is a great way to get to know yourself. Finally, I studied classics because they’ve inspired so much of everyday life. You can see references to them throughout literature.

Sometimes people ask why I didn’t study drama. I think the fact that I didn’t makes me much more of a well-rounded performer. The more you can pull from different life experiences, the stronger you are as an actor.

What are some of your career goals?

Growing up within the Black diaspora in Canada, I would say that telling Black stories was always at the forefront of my mind. When I was young there was almost no media showcasing Black people – in the books I was reading, the TV shows I was watching, there was nobody who looked like me. When you grow up and you never see yourself, you start to hate yourself. You feel invisible.

I’m happy for the strides we’ve made in representation since then. I have a bunch of little sisters and I don’t want them to have the same experiences I did. To create art is to represent things that might be uncomfortable – that’s the artist’s creed. My goal is to keep telling stories that shed light on humanity, especially on the struggles that so many of us have faced.